A GOOD READ ---
INVENTING VIVIAN MAIER by Abigail Solomon-Godeau
I watched the new film Finding Vivian Maier by John Maloof this week at FilmScene in Iowa City. Seeing it and talking to friends about it, I was reminded of my first encounter with the photographer's work.
In 2013, I spent one week in Chicago during the month of October. My six photography students and I took the megabus from Iowa City and stayed at Cornell College's newly acquired house in north part of the city. The week was filled with many viewing pleasures and among them we saw two Vivian Maier exhibitions. The first was at the Chicago History Museum. Her images were "blown" up in various sizes on poster-like boards, strung up on cables. MORE HERE. I happened to meet the speaker there, Richard Cahan who is one of the authors of Vivian Maiers, Out of the Shadows; he told us to visit a small gallery nearby with a quite large and very impressive body of work by Vivian Maier. This was by far and beyond a beautiful and beautifully presented exhibition of gorgeous hand-made silver gelatin prints. So glad to have seen it!
Tuesday, May 6, 2014
Thursday, May 1, 2014
Tuesday, April 29, 2014
The Atlas Group - LET'S BE HONEST. THE WEATHER HELPED
http://www.tba21.org/collection/artist/577/artwork/290
The collection of documents archived by Walid Raad and The Atlas Group is a mixture of uncovered and constructed evidence whose authenticity, authorship and even dates are constantly subject to doubt. In blurring the line between historical facts and constructed narratives, Raad investigates how the history of Lebanon – and specifically the long violent period of the Civil Wars – is written and represented. In Let’s Be Honest. The Weather Helped I, Raad records the locations of bullet holes with colored dots on a series of black and white photographs. The colors of the dots correspond to the colors of the bullets’ tips, which he later learned are color-codes devised by manufacturing countries to mark their cartridges.
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